Lights, Camera, Action! A Primer on French Cinema
by Brian Alcamo
Agnès Varda, Bridget Bardot, François Truffaut, do any of these names ring a bell? If not, they should! France has a huge cinema culture. Not only is the country home to one of the largest film industries outside of the US, it was also the birthplace of many of the cinematic technologies we take for granted nowadays. A history of the artform runs deep in this hexagonal country, and it’s time to check it out.
A Super-Brèf History of French Cinema
So where does that history begin? It begins in Lyon, with les Frères Lumière. Auguste and Louis Lumiere, also known as the Lumière brothers, were kind of like France’s Wright brothers, in that they were brothers who invented something together. Growing up with a father in the photography industry, this dynamic duo took what they learned while growing up and developed the cinematograph. This three-in-one device was used to shoot, print, and project film.
In late 1895, the brothers released 10 very-short films at the Salon Indien du Grand Cafe in none other than Paris, France. The films dazzled their audience, who had never seen anything like it before. However, the film that embedded itself into the modern cinematic tradition the most was L’Arriveé d’un train en gare de La Ciotat, or “Arrival of a train at La Ciotat,” This film was not part of the original ten, but was instead showed for the first time in January 1896. The audience members were so new to the concept of cinema that they purportedly ran away from the screen, thinking that the train would come barrelling towards them!
A second early-cinema film that took the world by storm was Le voyage dans la lune (1902), which is widely considered the first science fiction film. Directed by magician-turned-filmmaker Georges Méliès, the film was the first to use many techniques and special effects that are the building blocks of modern editing methods.
After the dawn of the cinematic artform, French film went through several artistic movements: German (yes, German) Expressionism, La Nouvelle Vague, Left Bank Cinema, Le Cinéma Vérité, Le Cinéma du look, and others. It’s consistently evolved on its own, and in response to work being put out by Hollywood. Some say that the infamous Nouvelle Vague was created out of a reaction to the formulaic, studio-based films coming out of Los Angeles at the time.
French Cinema Today
French film is a strong industry, and receives substantial amounts of financial support from the government. Movie theaters are typically used as a refuge from sometimes unbearable summer heat, since so many french dwellings don’t have air conditioning. If you’re ever in France during a canicule, be sure to catch a movie to cool off while experiencing some culture.
To keep up with the latest in French entertainment news, you should keep your eyes on AlloCiné, a French website that combines elements of IMBD and Variety. You can search for information on your favorite shows and also get updates on the industry as a whole, all while your comprehension écrite.
If you want to get a romanticized glimpse into the French film industry, check out the series Dix Pour Cent. Named after the percent of money that agents typically get from an actor’s contract, the show follows the lives of four stressed-out Frenchies as they make deals with France’s biggest vedettes. The show is a great primer on the names of French movie stars, since every episode features a different big ticket actor playing a fictionalized version of themself. In the US, the show is known as Call My Agent! and is available on Netflix. If you need subtitles, try putting them in French instead of English to push your language learning to the next level.
Take a Dive into Some French Classics!
Thanks to streaming platforms, French-language movies and television are easily available online. They’re also a great way to practice your French, and to get a glimpse into the specificities of French culture. What’s your favorite French film? Be sure to comment below, and give this post a heart!
(Thumbnail photo by Michał Parzuchowski)